Banqueting Hall

The rows of tables are laid out in straight lines, with strict seating arrangements that appear casual. Those closest to the King's tables are more in his favour. A buffet is laid out at the back of the hall, to allow courtiers to pick and chose what they desire, though wine and other drinks are supplied by the multitude of servants scurrying about.

The ceiling was painted by Rubens on orders of King James I, grandfather to King Charles II.

The subject of the middle panel is the Apotheosis of James I. Justice is raising the King, who is shown holding a sceptre, with one foot on a globe and the other on the wing of a flying eagle, which is grasping a thunderbolt in its talons. In attendance are figures representing Zeal, Religion, Honour and Victory. Above the King are cherubs with the crown and orb, and others are blowing trumpets.

The large south panel represents the King, seated on a throne within an architectural composition, and pointing to Peace and Plenty embracing on his right. Angels support a laurel wreath over his head and a cherub behind him carries the crown. On his left Minerva, holding a thunderbolt in her right hand and a shield in her left, is driving Rebellion; who holds a flaring torch, down to Hell, where Satan, attended by monsters, awaits him. Mercury is pointing with his caduceus to his downfall.

The large north panel is an allegorical representation of the birth and crowning of Prince Charles I. The King is seated on his throne, holding the orb, and pointing with his sceptre to Prince Charles (a nude infant figure), who is attended by two draped females, of whom one, who is crowned, may be intended for the Queen. Behind is Minerva, who is holding a crown over the prince. The background shows an architectural composition, with a domed coffered ceiling. In the upper part of the picture two cherubs support a crowned cartouche, bearing the Stuart arms, with garlands of roses.

The two oval panels at the south end of the ceiling represent Royal Bounty, pouring, from a cornucopia, crowns, emblems and medals, and trampling on Avarice; and Government, holding a bridle, and trampling on Rebellion.

Two similar panels at the north end represent Hercules (Heroic Virtues) clubbing Envy; and Minerva (Heroic Chastity) with a spear destroying Lust. Above her is a flying owl holding a wreath.

On each side of the large central panel are long oblong panels. That on the east side shows a procession of cherubs, with a chariot laden with fruit and drawn by a ram and a wolf, the former ridden by an infant Bacchus. In front is a cherub riding a tiger, preceded by other cherubs carrying a huge cornucopia of fruit, the whole representing the Peace and Plenty of King James's reign. The other panel is supposed to represent the Harmony and Happiness of the reign, and contains gambolling cherubs on a rope of fruit which issues from a chariot drawn by a lion and a bear. Cherubs are loading up the chariot with a huge cornucopia of fruit. The lion has a cherub on his back tickling his ear, while another in front is drawing his teeth.

The scale of the figures in the whole composition is extraordinary, the cherubs being more than 9 feet high.

Exit to:
 * Portrait Gallery
 * Great Hall